Top 10 lgbt movies


Top 10 Queer Movies of Noun, Rebellion, and Self-Discovery

A scene from &#;Fireworks,&#; directed by Giuseppe Fiorello, one of Michael York&#;s top queer movies of

has proved to be an exceptional year for queer cinema, with films spanning the globe, from Norway to South Africa, captivating audiences with diverse narratives and authentic portrayals of LGBTQ+ experiences.

As we celebrate the richness of this cinematic journey, let&#;s examine the top 10 queer movies of the year, offering a mix of groundbreaking experiments, poignant dramas, and unapologetically queer cherish stories.

Honourable Mentions:

Strange Way of Life (USA/SPAIN)

&#;Strange Way of Life&#; explores the rekindling of a forbidden romance between Silva (Pedro Pascal) and Sheriff Jake (Ethan Hawke), once-secret lovers separated by day. Pedro Almodóvar&#;s short film is a dusty, lusty queer Western, delving into love and tragedy. The narrative cleverly hints at a broader story, leaving room for interpretation. With vibrant colours and stellar performances, Pascal and Hawke navigate emotions, layered w

The 24 Best LGBTQ+ Movies on Netflix Right Now

It’s certainly gotten better over the last decade or so, but in the past, the representation of queer people on screen was a bit hard to come by. Previously, queer movies were generally of the indie or underground variety, with movies like But I'm A Cheerleader, Jennifer's Body, and Desert Hearts becoming cult classics years after release. In recent years, LGBTQ+ stories verb become more welcome in the mainstream, with some major successes being Love, Simon, Call Me By Your Name, and Moonlight. In order to celebrate the queer community and make LGBTQ+ entertainment more accessible, we thought it might be helpful to provide a little guide to the best LGBTQ+ movie offerings on Netflix. There’s simple romance, comedies, horror, and lots of documentaries. So if you are looking for a good queer movie to watch, we’ve got you covered.

For more recommendations, inspect out our list of the best shows and movies on Netflix.

Disclaimer: These titles are accessible on US Netflix.

Editor's note: This article was updated

The 50 Best LGBTQ+ Movies

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50) The Living End ()

"Fuck The World." The motto of The Living End's protagonists might stand as a slogan for the whole of filmmaker Greg Araki's career. A key shitkicker in the early '90s Brand-new Queer Cinema movement, Araki took a baseball bat to hetero-normative culture and explored gay life on the margins during Bush's administration in films by turns funny, frank and anguished. The Living End is his foremost picture, a so-called 'gay Thelma & Louise', as film critic Jon (Craig Gilmore) and drifter Luke (Mike Dytri), both diagnosed as HIV-positive ("the Neo-Nazi Republican final solution," says Jon about AIDS), kill a homophobic cop and go on the lam, offing any bigot who remain in their way. Rather than pity themselves, these characters unleash their nihilism on the world, tempered by a kind of freewheeling anarchy and enhanced by Araki's eye-catching images and spring cuts. As the film's dedication puts it, it's a punch in the gut to "a Big White House full of Republic

The 30 Best LGBTQIA+ Films of All Time

In this first major critical survey of LGBTQIA+ films, over film experts including critics, writers and programmers such as Joanna Hogg, Mark Cousins, Peter Strickland, Richard Dyer, Nick James and Laura Mulvey, as well as past and present BFI Flare programmers, have voted the Top 30 LGBTQIA+ Films of All Noun. The poll’s results represent 84 years of cinema and 12 countries, from countries including Thailand, Japan, Sweden and Spain, as well as films that showed at BFI Flare such as Orlando (), Beautiful Thing (), Weekend () and Blue Is the Warmest Colour ().

The winner is Todd Haynes’ award-winning Carol, closely followed by Andrew Haigh’s Weekend, and Hong Kong romantic drama Happy Together, directed by Wong Kar-wai, in third place. While Carol is a surprisingly recent film to top the poll, it’s a feature that has moved, delighted and enthralled audiences, and looks position to be a modern classic.

“The festival has long supported my work,” said Haynes, “from Poison and Dottie Gets Spanked in the early s through to Carol which is screen